Géricault was something of an exception, but he was separated from his immediate predecessors both by temperament and by the sincerity of his approach. The French Revolution greatly stimulated interest in the depiction of contemporary events, but, after the fall of Napoleon in 1815, few artists were disposed to depict such subjects. Géricault astonished viewers by painting, in harrowing detail, not an antique and noble subject but a recent gruesome incident. The Raft of the Medusa, painting (1819) by French Romantic artist Théodore Géricault depicting the survivors of a shipwreck adrift and starving on a raft.
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